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Antoine Pevsner

"Depth is the single form of expression of space."

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Notes of biography

Nathan Pevsner was born in 1884 in Orel in Belarus. He studies at the School of Fine Arts of Kiev, then at the Academy of Beaux-Art in St. Petersburg. Pevsner lives in Paris from 1911 to 1913, then from 1914 to 1915, the year that he joins his brother Naum Gabo, in Oslo. Pevsner paints his first abstract canvases in 1913. The two brothers belong to a Russian bourgeoisie that valued technical and scientific progress. In 1917, he returns to Moscow and teaches painting at the National studio of free art, then in 1919-1920, in Vkhoutemas. The artist starts to research the pigments of material and fabrics by crushing different vegetal and mineral materials.
In 1920, with his brother composes the ‘Manifeste realiste’ (Realist Manifesto) that they put on the walls of the city; this text militates for a total detachment in relation to the reality which the Pevsner strives exceed the appearance. The two brothers organize an exhibition of their work in the public garden Tverskoi in the centre of Moscow. The defense of abstract art becomes an unbearable position in the context where creation in the service of the revolution must be accessible to all and strictly tied to industrial production. In 1921, accused of producing ‘a capitalist art’, his studio is closed by the powers above and he is forbidden to teach.
Antoine Pevsner immigrates to Berlin in 1921, then moves to Paris in 1923, obtaining French nationality seven years later (He frenchifies his first name at this time, Nathan becomes Antoine).
After his debut in 1917 in Norway, the artists puts his effort into sculpture in 1923 and produces the plastic constructions, creating forms and coloring them with a looseness of luminous specters. In 1927, with his brother he creates the décor and costumes for the ballet ‘Constructivistes’ of Diaghilev. From the 1930 Antoine Pevsner uses brass wires, bronze and other metals and solders segments of juxtaposed lines to penetrate space in a dynamic manner. The artist completes a series of bas-reliefs. In 1932, Pevsner becomes a member of the Abstraction-Creation. Pevsner takes the column as his theme, then the oval. In 1947, he co-founds the Salon Réalités Nouvelles. In the 50’s, he produces commissions for architectural works.
Antoine Pevsner creates a void and works on space and time, essential dimensions of sculpture. Before his death, the artist donates to MNAM Georges Pompidou Centre a set of sculptures, paintings and drawings that today constitute the richest collection of his works worldwide.
Antoine Pevsner died in Paris in 1962.

Artists on display

The art and the artists display: proclamations, galleries, museums, personal or collective exhibitions. On walls or in shop windows, wise or rebels, posters warn, argue, show. Some were specially conceived by an artist for such or such event, other, colder, have only the letter.

Some were created in lithographic technic, most are simple offset reproductions. They are many those who like collecting these rectangles of paper, monochrome or in games of colours, in matt paper or brilliant, with many words or almost dumb.

We are happy also to be able to greet, by this pages, mythical galleries as those of Denise René, Louis Carré, Claude Bernard, Berheim Jeune, Maeght, Pierre Loeb and others.

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Complete work(s)

Complete work(s)
*« Antoine Pevsner », C. Giedon-Welcker, Ed. Ides et Calendes, Neuchâtel, 1961 *« Antoine Pevsner, l'oeuvre sculpté », E. Lebon, P. Brullé, Galerie Pierre Brullé, Paris, 2002 All the complete works

Bibliographic track and more

To read about the artist :
  • « Pevsner », in L’oeil n° 23, Ed. Sedo, Lausanne, Suisse, Novembre 1956
  • « The artist in his studio », A. Liberman, Ed. Thames and Hudson, 1961
  • « Antoine Pevsner », P. Peissi et autres, Ed. Du Griffon, Neuchâtel, 1961
  • « Le dessin dans l'oeuvre de Pevsner », Bernard Dorival, Ed. Collection Prisme,
  • « 5 European sculptors, Gabo, Pevsner, Moore, ... », Ed. Moma, 1969
  • « L’avant-garde russe », Jean-Claude Marcadé, Ed. Flammarion, Paris, 1995
  • « Pevsner - Colloque », Musée Rodin, Paris, Art Edition, 1995
  • « Sa vie, son oeuvre », A. Lardera, Thèse de doctorat, Paris IV Sorbonne, 1997
  • « A. Pevsner », D. Lemny, Col. La Collection, MNAM Pompidou, Paris, 2001
  • « Pevsner, The early life…», S. Games, Continuum Int. Publishing Group, 2010
To read from the artist :
  • « Revue l'Oeil N°23 », A. Pevsner et autres, Ed. Sedo S.A, 1956
  • « Manifeste réaliste », avec Naum Gabo, 1920. Ed. Réunion des musées nationaux, 1971
Website :
www.artcyclopedia.com/pevsner.html

More :


Art movements

+ MODERN SCULPTURE / 1930-1970 / William Kenneth Armiage, Constantin Brancusi, Anthony Caro, Naum Gabo, Pablo Gargallo, Isamu Noguchi, etc.
+ ABSTRACTION-CREATION / 1931-1938 / Etienne Béothy, Frantisek Kupka, Piet Mondrian, Sophie Taeuber-Arp, Georges Vantongerloo, etc.
+ NEW REALITIES / 1946-1956 / Etienne Béothy, Marcelle Cahn, etc.
All art movements

See & discover

Beyond works currently in stock, it seemed to me useful to combine business with pleasure by letting you discover others works by artists in my gallery. These artworks, now sold or removed from our website, have been in our stock in the past.

These pages will undoubtedly make it possible for some of you to associate an image with its title or the other way round, for others it will be a good time to discover more on such and such artist. For the sake of confidentiality – the pieces being no longer available – we won't display neither their numbering or their price. For whatever reason, make sure to visit this amazing art database with to date 6441 online works just for your pleasure! Michelle Champetier

See & discover