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Stamp by Pol Bury
fictional stamp
The publication of a postal stamp is often a homage paid by a nation to a place, an event, a remarkable cause or a character which count. The painters and other artists do not escape from this rule. Some are however "forgotten" of postal art. Here, gathered below (French or foreign), emitted stamps (206) or simple studies of stamp (224) in homage to the artists represented on our website. The first French stamp was emitted in 1849, England preceded us by ten years. There is often a share of voyage in this small form of shape paper. The stamp circulates, sails, flies away, it makes dream, then dream a little. M.C.
When the stamp is really emitted, the artist name is preceded of an asterisk (*).
It is certain that we do not know each stamp emitted for such or such artist; do not hesitate with us to make known them!
Discover all the stampsArtist's signed letter
Michelle Champetier Collection / This document is not for sale
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A tribute to Pol Bury
Alors qu’une exposition de ses célèbres fontaines était en cours au château de Seneffe en Belgique, le sculpteur et peintre abstrait belge Pol Bury est mort le mardi 28 septembre 2005 à Paris, où il a passé la plus grande partie de sa vie ; il avait 83 ans. L’artiste s’est éteint à l’hôpital parisien Georges Pompidou. Pol Bury repose dans le petit cimetière de Perdreauville (dans les Yvelines en région Île-de-France). En son hommage, avec respect, cette fleur du nénuphar.
"La libre circulation des formes en vue de l’étonnement – ou autres sentiments périphériques – n’est permise que dans les deux dimensions d’une ville ou dans l’espace étroit d’un lieu conçu pour l’exhibition et la spéculation de modèles réduits." - Pol Bury
"L'histoire de l'art subit parfois de funestes déviations." - Pol Bury
"Aujourd’hui, la surproduction aidant, la peinture a fait sienne la tache, l’éclaboussure, la crotte, la souillure, la bigarrure, la jaspure, la tavelure, la zébrure molle et la vergeture raide." - Pol Bury
"La vitesse limite l’espace, la lenteur le multiplie." - Pol Bury
"Le temps n'est pas une donnée s'écoulant de manière continue, mais se définit exactement par ses inter-ruptions. C'est précisément par ces moments d'inertie que nous prenons conscience du temps et du mouvement. " - Gaston Bachelard
"Etant donné que ce qui bouge est . . . grosso modo . . . plus perceptible que l’immobile . . . ce qui est imperceptible est-il forcément plus immobile ?" - Pol Bury
Notes of biography
Pol Bury, the sculpture, painter recently died in september 2005. He was born in Haine-Saint-Pierre, Belgium in 1922. He was educated at the Academy of Fine Arts of Mons (1938). His « surrealist forms » are presented in the revue « The Collective Invention » brought to life by Rene Magritte and Raoul Ubac in 1940. In 1945, he participated in the creation of the group « Haute Nuit » that will be an important editorial publication until 1958. Pol Bury illustrated the works of the poet Achille Chavee, as well as Havrenne. He met Dotremont in 1949, and rejoined the Cobra group. In 1954, with Andre Balthazar he created the Academy of Montbliart.
Pol Bury would participate in numerous collective exhibitions ; it’s worth noting that he figured in the famous exhibition in 1955 by the Denise Reme gallery « The Movement » with Calder, Duchamp, Jacobsen, Agam, Soto, Tinguely and Vasarely. Pol Bury left Belgium for France in 1961.
He gave up painting 1953, he exhibited his « mobile planes » for the first time in Brussels, geometric rectangular shapes fixed on an axis that the viewer pivots manually. In 1954, with the beginning cinetisme, he executes panels made of oblique vertical blades covered with geometric compositions of colors on dark backgrounds, of which the text can be changed according the angle of the view of the spectator. In 1957 he encorporates electric motors in his sculptures, engines which will animate his mobiles. The characterisic of the movement sought by the artist was extreme slowness, movement being almost unpercievable. These are his « Multiplanes ». These will take precedence in his new plastic language about 1958 ; he now encorporate sets of lights, balls, mercury spheres, and discs. In 1961, he creates the « Erectile Punctuation » series, works on nylon string, later the important series will encorporate open or closed volumes, using space to emphasize the relationship between movement and motionlessness.
Bury’s sculptures will still evolve in the years to follow. He will create monumental works and in particular fountains (Foundation Maeght, Guggenheim Museum, Palais Royal, etc). Pol Bury will demeasure time and dilate space.
Artists on display
The art and the artists display: proclamations, galleries, museums, personal or collective exhibitions. On walls or in shop windows, wise or rebels, posters warn, argue, show. Some were specially conceived by an artist for such or such event, other, colder, have only the letter.
Some were created in lithographic technic, most are simple offset reproductions. They are many those who like collecting these rectangles of paper, monochrome or in games of colours, in matt paper or brilliant, with many words or almost dumb.
We are happy also to be able to greet, by this pages, mythical galleries as those of Denise René, Louis Carré, Claude Bernard, Berheim Jeune, Maeght, Pierre Loeb and others.
Complete work(s)
Complete work(s)
*« Pol Bury - Les sculptures », Rosemarie E. Pahlke, Monographies de l’art moderne, Bruxelles, 1994Bibliographic track and more
To read about the artist :
- « Pol Bury », E. Ionesco et A. Balthazar, Ed. Cosmos, Bruxelles, 1976
- « Pol Bury », E. Ionesco et P. Descargues, DLM n°228, Ed. Maeght, 1978
- « Pol Bury, oeuvres de 1963 à 1978 », Paris, Musée d’Arles, 1979
- « Les fontaines de Pol Bury», Descargues, Cat., Le Daily-Bul, La Louvière, 1986
- «Pol Bury. 1939 – 1995», Ed. Fabbri, 1995
- «Pol Bury», Coll. Pergamine, Ed. Ides Et Calendes, 2001
- «Pol Bury, créateur de bijoux», Ed. Hainaut Culture et Démocratie, 2006
- «Le Surréalisme en Belgique, 1924-2000», Xavier Canonne, Ed. Actes Sud, Paris, 2007
- «Instants donnés", 50 ans de sculpture», Daniel Marchesseau, Ed. Flammarion, Paris, 2015
- «Pol Bury : Le temps en mouvement», P. Alechinsky et divers, Ed. Fonds Mercator, 2017
To read from the artist :
- « Milano », Ed. Cavallino, Venezia, 1967
- «L'art à bicyclette et la revolution à cheval », Ed. Gallimard, 1972
Website :
www.artcyclopedia.com/artists/bury.htmlMore :
Stamp by Pol Bury
The publication of a postal stamp is often a homage paid by a nation to a place, an event, a remarkable cause or a character which count. The painters and other artists do not escape from this rule. Some are however "forgotten" of postal art. Here, gathered below (French or foreign), emitted stamps (206) or simple studies of stamp (224) in homage to the artists represented on our website. The first French stamp was emitted in 1849, England preceded us by ten years. There is often a share of voyage in this small form of shape paper. The stamp circulates, sails, flies away, it makes dream, then dream a little. M.C.
When the stamp is really emitted, the artist name is preceded of an asterisk (*).
It is certain that we do not know each stamp emitted for such or such artist; do not hesitate with us to make known them!
Discover all the stampsArtist's signed letter
Michelle Champetier Collection / This document is not for sale
Listen
Watch
A tribute to Pol Bury
Alors qu’une exposition de ses célèbres fontaines était en cours au château de Seneffe en Belgique, le sculpteur et peintre abstrait belge Pol Bury est mort le mardi 28 septembre 2005 à Paris, où il a passé la plus grande partie de sa vie ; il avait 83 ans. L’artiste s’est éteint à l’hôpital parisien Georges Pompidou. Pol Bury repose dans le petit cimetière de Perdreauville (dans les Yvelines en région Île-de-France). En son hommage, avec respect, cette fleur du nénuphar.
"La libre circulation des formes en vue de l’étonnement – ou autres sentiments périphériques – n’est permise que dans les deux dimensions d’une ville ou dans l’espace étroit d’un lieu conçu pour l’exhibition et la spéculation de modèles réduits." - Pol Bury
"L'histoire de l'art subit parfois de funestes déviations." - Pol Bury
"Aujourd’hui, la surproduction aidant, la peinture a fait sienne la tache, l’éclaboussure, la crotte, la souillure, la bigarrure, la jaspure, la tavelure, la zébrure molle et la vergeture raide." - Pol Bury
"La vitesse limite l’espace, la lenteur le multiplie." - Pol Bury
"Le temps n'est pas une donnée s'écoulant de manière continue, mais se définit exactement par ses inter-ruptions. C'est précisément par ces moments d'inertie que nous prenons conscience du temps et du mouvement. " - Gaston Bachelard
"Etant donné que ce qui bouge est . . . grosso modo . . . plus perceptible que l’immobile . . . ce qui est imperceptible est-il forcément plus immobile ?" - Pol Bury
Art movements
+ COBRA / 1948-1952 / Christian Dotremont, etc.
+ MODERN SCULPTURE / 1930-1970 / William Kenneth Armiage, Constantin Brancusi, Anthony Caro, Naum Gabo, Pablo Gargallo, Isamu Noguchi, etc.
+ MECHANICAL ART / 1962-1965 / Eric Beynon, Yehuda Neiman, Nikos, etc.
All art movements
See & discover
Beyond works currently in stock, it seemed to me useful to combine business with pleasure by letting you discover others works by artists in my gallery. These artworks, now sold or removed from our website, have been in our stock in the past.
These pages will undoubtedly make it possible for some of you to associate an image with its title or the other way round, for others it will be a good time to discover more on such and such artist. For the sake of confidentiality – the pieces being no longer available – we won't display neither their numbering or their price. For whatever reason, make sure to visit this amazing art database with to date 6441 online works just for your pleasure! Michelle Champetier