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Carl Henning Pedersen

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The Danish painter Carl Henning Pedersen is born in Copenhagen in 1913. He begins to paint as self-taught since 1933 and participates in the magazine “Linien” between surrealism and abstraction. From 1941 to 1943, Pedersen participates in the magazine “Helhester“. He is with his friend

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Voir & découvrir

Beyond works currently in stock, it seemed to me useful to combine business with pleasure by letting you discover others works by artists in my gallery. These artworks, now sold or removed from our website, have been in our stock in the past. These pages will undoubtedly make it possible for some of you to associate an image with its title or the other way round, for others it will be a good time to discover more on such and such artist. For the sake of confidentiality – the pieces being no longer available – we won't display neither their numbering or their price. For whatever reason, make sure to visit this amazing art database with to date 6441 online works just for your pleasure! Michelle Champetier

The works presented on this page are not available anymore.
New Original signed lithograph de  : Cobra
Cobra
1971 Original lithograph, signed and dated in pencil by the artist, executed for the portfolio "Cobra 1973". Editions Dan-Graphique, Denmark. Without
Original signed lithograph de  : Himmel farten
Himmel farten
1988 Original lithograph, signed in pencil by the artist, from the portfolio « Le mythe de Cobra », published by Galerie Moderne, Silkeborg. Without
Original signed etching de  : The most beautiful present
The most beautiful...
1995 Original etching, signed in pencil by the artist, realized for the portfolio "Le plus beau cadeau" ("The most beautiful present"). Ed. A.C.P.Y, Parly. Without
Original signed etching de  : The keeper
The keeper
1993 Original etching, signed in pencil by the artist. Without
Original signed lithograph de  : Contes d'Andersen II
Contes d'Andersen II
1985 Original lithograph, signed in pencil by the artist. Publisher J. Halioua, New York. Unknown
Original signed lithograph de  : Contes d'Andersen I
Contes d'Andersen I
1985 Original lithograph, signed in pencil by the artist. Publisher J. Halioua, New York. Unknown

Catalogue(s) raisonné(s)

Catalogue(s) raisonné(s)
Not realised. All the "catalogues raisonnés"

Bibliographic track & more

To read from or about the artist :
* « Carl-Henning Pedersen », Christian Dotremont, Galerie de France, Paris, 1963
* « Carl-Henning Pedersen », Virtus Schade, Ed. Stig Vendelkær Forlag, Copenhague (Danemark), 1966
* « Carl-Henning Pedersen - In celebration of 30 years of Cobra », Donald Goddard, catalogue d'exposition, Lefebre Gallery, New York, 1979
* « Cobra, 1948-1951 », Christian Dotremont, Jean-Michel Place Ed., Paris, 1980 (Réimpression en fac-similé de la collection complète des dix numéros de la revue Cobra et autres)
* « Carl-Henning Pedersen », Sidsel Ramson, Ed. Electa, Milan, 1986
* « Carl-Henning Pedersen », Ar Franske, catalogue d'exposition, Galerie Asbaek, Copenhague (Danemark), 1999
* « Cobra - La conquête de la spontanéité », Willemijn Stokvis, Ed. Gallimard, Paris, 2001
* « Carl Henning Pedersen - L'oeil à l'état sauvage », 2 Vol., Jean-Clarence Lambert, Ed. Le Cercle d'Art, Paris, 2003
* « Carl-Henning Pedersen », Mikael Wivel, Ed. Aschehoug, Oslo (Norvège), 2004
* « Cobra », Anne Adriaens-Pannier, Michel Draguet, Ed. Hazan, Paris, 2008
* « La quête du Phénix/In search of Bird Phoenix », Sidsel Ramson, Ed. Cercle d'Art, Paris, 2013


Website :
No website dedicated to the artist.

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Art movements

  • + COBRA / 1948-1952 / Christian Dotremont, etc.
All art movements

Valuation - Brokerage

If you wish to offer an artwork by this artist or get an appraisal, please feel free to contact us.

Artists on display

The art and the artists display: proclamations, galleries, museums, personal or collective exhibitions. On walls or in shop windows, wise or rebels, posters warn, argue, show. Some were specially conceived by an artist for such or such event, other, colder, have only the letter.

Some were created in lithographic technic, most are simple offset reproductions. They are many those who like collecting these rectangles of paper, monochrome or in games of colours, in matt paper or brilliant, with many words or almost dumb.

We are happy also to be able to greet, by this pages, mythical galleries as those of Denise René, Louis Carré, Claude Bernard, Berheim Jeune, Maeght, Pierre Loeb and others.

All posters
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