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« The forms drawn by Gail Singer, their visible abstraction, are inseparable of a tempestuous, stormy climate, . . ., » writes André Pieyre de Mandiargues. Gail Singer, painter and printmaker, was born in Galveston, Texas in 1924. She studied fine arts at Washington University in Saint Louis where she was awarded the John T. Miliken Fellowship that allowed her to travel and study in Europe in 1952. Singer settled in Paris in 1955, working at
Biography of Gail Singer
« The forms drawn by Gail Singer, their visible abstraction, are inseparable of a tempestuous, stormy climate, . . ., » writes André Pieyre de Mandiargues. Gail Singer, painter and printmaker, was born in Galveston, Texas in 1924. She studied fine arts at Washington University in Saint Louis where she was awarded the John T. Miliken Fellowship that allowed her to travel and study in Europe in 1952. Singer settled in Paris in 1955, working at Atelier 17 under Paul Buelin and Stanley William Hayter until the close of the 1960s, and remained in Paris for the rest of her life. Singer worked in the intaglio process creatively combining the techniques of etching, aquatint, open bite, and viscosity. She also worked in relief, printing the surface of her matrix be it a metal plate, wood, or linoleum. She participated in group exhibitions at the St. Louis Art Museum, the Cincinnati Art Museum, the Ljubljana Biennale of Graphic Arts and, in Paris, at the Salon des Réalités Nouvelles. Her work was also included in the 1962 Atelier 17 exhibition that was mounted in London at the Institute of Contemporary Arts. The poster for the exhibition was a collaborative effort of Singer, Hayter, and Dadi Wirz. Singer also had solo exhibitions in Paris at the Galerie Le Soleil and at the Galerie Rive Gauche in 1962. Her work is represented in the collections of the Kemper Art Museum and the Washington University Collections in Saint Louis. « In front of Gail Singer's works, I feel that each is an event, an event which is significant for me, » writes Hayter, or still: « I admire the art of Gail Singer for its truth, its strength, and its prodigious visual power ». The artist died in Paris in 1985.
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Catalogue(s) raisonné(s)
Catalogue(s) raisonné(s)
Not realised. All the "catalogues raisonnés"Bibliographic track & more
To read from or about the artist :
* « Hayter and Atelier 17 », catalogue d'exposition, Institute of Contemporary Arts, Londres, 1962* « Gail Singer », catalogue d'exposition, Galerie Le Soleil, Paris, 1962
* « Gail Singer », S. W. Hayter, A. Pieyre de Mandiargues, catalogue d'exposition, Galerie Rive gauche, Paris, 1962
Website :
No website dedicated to the artist.Stamp :
No stamp made.Art movements
- + ATELIER 17 / 1927-1965 / Anton Prinner, Mauricio Lasansky, Jacques Lipchitz, Mark Rothko, etc.
- + NEW REALITIES / 1946-1956 / Etienne Béothy, Marcelle Cahn, etc.
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Artists on display
The art and the artists display: proclamations, galleries, museums, personal or collective exhibitions. On walls or in shop windows, wise or rebels, posters warn, argue, show. Some were specially conceived by an artist for such or such event, other, colder, have only the letter.
Some were created in lithographic technic, most are simple offset reproductions. They are many those who like collecting these rectangles of paper, monochrome or in games of colours, in matt paper or brilliant, with many words or almost dumb.
We are happy also to be able to greet, by this pages, mythical galleries as those of Denise René, Louis Carré, Claude Bernard, Berheim Jeune, Maeght, Pierre Loeb and others.
