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Giorgio Morandi was born in Bologne in 1890 and will never leave his hometown. From 1918 to 1920, together with Giorgio de Chirico, he joins the « metaphysical painting » movement. Quickly, he gets away from it and paints, etches in his own intimist personal way, his art being attached to none of the specific schools. In the 20s, Morandi seems to move away from the vanguard pictural trends he was associated to younger. He withdraws into himself only to...
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Biography of Giorgio Morandi
Giorgio Morandi was born in Bologne in 1890 and will never leave his hometown. From 1918 to 1920, together with Giorgio de Chirico, he joins the « metaphysical painting » movement. Quickly, he gets away from it and paints, etches in his own intimist personal way, his art being attached to none of the specific schools. In the 20s, Morandi seems to move away from the vanguard pictural trends he was associated to younger. He withdraws into himself only to paint elements from his physical and mental inner. Cezanne’s work is a major influence; he takes from it the huge shapes and dense areas of colors. It is said that Morandi himself used to grind his colors. Driven by some formal sensitivity and great refinement, he gives to his landscapes and still lifes a delicate tone arousing a contemplative mode. Many exhibits, while he was still alive, are devoted to his work. In 1948, he gets the Venice Biennale award, in 1954 the Sao Paulo Biennale award for his etchings and, in 1957 for his paintings. Still lifes are the most important part of his work. Giorgio Morandi dies in Bologne in 1964.
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Catalogue(s) raisonné(s)
Catalogue(s) raisonné(s)
Bibliographic track & more
To read from or about the artist :
* « Giorgio Morandi », Lamberto Vitali, Ed. del Milione, Milan, 1964* « Giorgio Morandi », Carlo Bertelli, Claude Esteban et autres, catalogue d'exposition, Ed. Musée Cantini, Marseille, 1985
* « Morandi. Gli acquerelli », Marilena Pasquali, Umberto Ecco et Gianni Mattioli, Ed. Electa, Milan, 1990
* « Giorgio Morandi : oggetti e stati d'animo », Marilena Pasquali, catalogne d'exposition, Brescia, 1996-1997, Ed. Skira, Milan, 1996
* « Le Bol du pèlerin », Philippe Jaccotet, Ed. La Dogana, Chêne-Bourg (Suisse), 2001
* « Giorgio Morandi: Saggi e Ricerche (1997-2007) », Marilena Pasquali, Noèdizioni, Florence, 2007
* « Giorgio Morandi : œuvres écrits entretiens », Karen Wilkin, Ed. Hazan, Paris, 2007
Website :
http://www.mambo-bologna.org/museomorandi/More :
A tribute to Giorgio Morandi
Malade depuis un an, le peintre et graveur italien Giorgio Morandi est mort à Bologne, sa ville natale, le 18 juin 1964, il avait 73 ans. Il repose au cimetière monumental de la Chartreuse à Bologne dans le caveau familiale, au côté de ses trois soeurs. Sur la tombe, le portrait de l'artiste réalisé et donné par son ami Giacomo Manzù. En son hommage, cette fleur de la passion.
"Une demi-douzaine d'oeuvres seraient tout à fait suffisantes dans la vie d'un artiste, dans ma vie." - Giorgio Morandi
"Ce qui m'intéresse le plus, c'est d'exprimer ce qui se trouve dans la nature, j'entends dans le monde visible." - Giorgio Morandi
"Tout est un mystère, nous-mêmes ainsi que toutes les choses à la fois humbles et simples. " - Giorgio Morandi
"La vie, ce n'est pas d'attendre que l'orage passe, c'est d'apprendre à danser sous la pluie." - Sénèque
"Les mots s’approchent en balbutiant, devant les tableaux de Morandi, comme par crainte de réduire ou d’emprisonner ce qui, tout de suite, saisit, émeut, qui justement laisse sans voix." - Yves Bonnefoy
"Morandi, avec Balthus peut-être, est le plus grand peintre figuratif de son siècle, mais qui ne donne preuve qu’à l’épreuve de soi. C’est ce qu’il faut comprendre et réaliser dans toute sa généralité, la seule conversion qui puisse aujourd’hui nous sauver." - Yves Bonnefoy
Stamp :
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Art movements
- + SINGULAR ARTISTS / XXème siècle /
- + ITALIAN NOVECENTO / 1922-1933 / Carlo Carrà, Felice Casoratti, Filippo De Pisis, Mario Sironi, etc.
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Artists on display
The art and the artists display: proclamations, galleries, museums, personal or collective exhibitions. On walls or in shop windows, wise or rebels, posters warn, argue, show. Some were specially conceived by an artist for such or such event, other, colder, have only the letter.
Some were created in lithographic technic, most are simple offset reproductions. They are many those who like collecting these rectangles of paper, monochrome or in games of colours, in matt paper or brilliant, with many words or almost dumb.
We are happy also to be able to greet, by this pages, mythical galleries as those of Denise René, Louis Carré, Claude Bernard, Berheim Jeune, Maeght, Pierre Loeb and others.
![Pic](sitephp/images/affiches/Morandi_affiche.jpg)