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Henri Laurens

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Henri Laurens was born in Paris in 1885. Impaired by tuberculosis when he was only 17, he is leg-amputated seven years later. First a stone cutter, he then becomes sculptor. In 1899,  he studies drawing. Henry Laurens will be strongly influenced by cubism he discovers as soon as 1908 at « La Ruche ». Attracted by the Montparnasse artists group, in 1911, he starts sculpting in a...

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Voir & découvrir

Beyond works currently in stock, it seemed to me useful to combine business with pleasure by letting you discover others works by artists in my gallery. These artworks, now sold or removed from our website, have been in our stock in the past. These pages will undoubtedly make it possible for some of you to associate an image with its title or the other way round, for others it will be a good time to discover more on such and such artist. For the sake of confidentiality – the pieces being no longer available – we won't display neither their numbering or their price. For whatever reason, make sure to visit this amazing art database with to date 6441 online works just for your pleasure! Michelle Champetier

The works presented on this page are not available anymore.
Lithograph poster de  : Laurens Papiers collés
Laurens Papiers...
1955 Poster before the letter, printed in lithograph by Mourlot, for the exhibition « Laurens Papiers collés » at the Galerie Berggruen from March 11th... Without
Book with lithograph de  : Catalogue Berggruen n° 11
Catalogue Berggruen...
1955 Booklet for the exhibition « Laurens Papiers collés » at the Galerie Berggruen in Paris in 1955. Foreword by Pierre Reverdy (first edition),... Without
Lithograph poster de  : Papiers collés
Papiers collés
1955 Poster, printed in lithograph by Mourlot, for the exhibition of the artist in the Gallery Berggruen in Paris. Without
Original signed etching de  : Exterminated
Exterminated
1947 Original etching, signed in pencil by the artist. Galerie Louise Leiris Ed., Paris. Völker n°15
Original signed lithograph de  : Reclining woman with raised arm
Reclining woman...
1950 Original lithograph, signed in pencil by the artist, dry stamp of the publisher. Guilde de la gravure Ed., Switzerland. Völker n°30
Original signed lithograph de  : Reclining woman with raised arm
Reclining woman...
1950 Original lithograph, signed in pencil, dry stamp of the publisher. Guilde de la gravure Ed., Switzerland. Völker n°30

Catalogue(s) raisonné(s)

Catalogue(s) raisonné(s)
All the "catalogues raisonnés"

Bibliographic track & more

To read from or about the artist :
* « Henri Laurens - Sculptures », Werner Hofmann et Daniel-Henry Kahnweiler, Ed. Arthur Niggli, Salenstein (Suisse), 1970
* « Henri Laurens », collectif, catalogue d'exposition, Ulster Museum,  Belfast, Ed. Arts Council, 1971
* « Henri Laurens », in Beaux Arts magazine, n°68, Paris, mai 1989
* « Cubism and its Enemies, Modern Movements and Reaction in French Art, 1916–1928 », Christopher Green, Yale University Press, New Haven and London, 1987
* « Henri Laurens - Opere su carta », collectif, catalogue d'exposition, Ed. Mondadori Electa, 1991
* « Henri Laurens - Rétrospective », Musée d'art moderne de Villeneuve d'Ascq, Ed. Réunion des Musées Nationaux, Paris, 1992
* « Cubism ». Philip Cooper, Ed. Phaidon, Londres, 1995
* « Henri Laurens - Constructions et papiers collés 1915-1919 », collectif, catalogue d'exposition, Ed. du Centre Pompidou, 1999

Website :
No website dedicated to the artist.

More :

Stamp :
No stamp made.

Art movements

  • + MODERN SCULPTURE / 1930-1970 / William Kenneth Armiage, Constantin Brancusi, Anthony Caro, Naum Gabo, Pablo Gargallo, Isamu Noguchi, etc.
  • + CUBISM / 1907-1925 / Robert Delaunay, Marcel Duchamp, Charles Dufresne, Jacques Lipchitz, Jean Metzinger, etc.
  • + SCHOOL OF PARIS MONTPARNASSE / 1915-1935 / Chaïm Soutine, Jacques Lipchitz, etc.
All art movements

Valuation - Brokerage

If you wish to offer an artwork by this artist or get an appraisal, please feel free to contact us.

Artists on display

The art and the artists display: proclamations, galleries, museums, personal or collective exhibitions. On walls or in shop windows, wise or rebels, posters warn, argue, show. Some were specially conceived by an artist for such or such event, other, colder, have only the letter.

Some were created in lithographic technic, most are simple offset reproductions. They are many those who like collecting these rectangles of paper, monochrome or in games of colours, in matt paper or brilliant, with many words or almost dumb.

We are happy also to be able to greet, by this pages, mythical galleries as those of Denise René, Louis Carré, Claude Bernard, Berheim Jeune, Maeght, Pierre Loeb and others.

All posters
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