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Henri Rousseau was born in Laval in 1844. He is not so good at school and gives up his studies very quickly. His artistic predispositions appear rapidly and at the age of 16, in 1860, he gets a price in drawing and music.
He first works as a bailiff’s clerk, then he does his military service. That’s where he gets his inspiration next to the soldiers who participated to the military outing in Mexico (1861 - 1867). After 7 years in the army, Henri Rousseau works for the excise duty...
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Biography of Henri Rousseau
Henri Rousseau was born in Laval in 1844. He is not so good at school and gives up his studies very quickly. His artistic predispositions appear rapidly and at the age of 16, in 1860, he gets a price in drawing and music.
He first works as a bailiff’s clerk, then he does his military service. That’s where he gets his inspiration next to the soldiers who participated to the military outing in Mexico (1861 - 1867). After 7 years in the army, Henri Rousseau works for the excise duty in Paris (administration collecting taxes applied on certain food products - a sort of customs at the entrance of the city). Totally self-taught, he starts painting at the same time and shows his works as soon as 1866 at the Salon des Indépendants and will keep doing it every year until his death. Without academic training, his work is not taken seriously; his technique is elaborated, however the childish look of his paintings is made fun at. He obtains a copyist card at the Louvre Museum allowing him to get familiar with masterworks.
Despite the mocking, his original canvases said to be naive, gain the respect of the artist’s circle. He makes friend with the poet and writer Alfred Jarry who gives him the nickname « Douanier Rousseau » he will keep afterwards.
Jarry publishes an article full of praise for his allegorical painting « The War » (1894) and introduces it into the world of artists. Rémy de Gourmont, Guillaume Apollinaire, Paul Signac, Robert and Sonia Delaunay, Picasso and many others begin to take an interest in this naive painter.
From 1901, he became a professor of drawing and painting at the Philotechnical Association, a secular institution, which is for him a real social success.
After 1901, he teaches drawing and painting at the Philotechnic Association, a charity organization, which represents quite a social success for him. The Douanier Rousseau gets a real aknowledgment around 1905 when he is invited by The Fauves at the Salon d’Automne. What is admired is the quality of his compositions and the colors he’s using in his landscapes, daily scenes, portraits, still lives and in his famous exotic jungles.
All along his life, the Douanier Rousseau painted closed to 250 paintings of which about a hundred have been lost, some given to the grocer as a payment, his washer woman or his car seller. The Douanier Rousseau died in the most awful poverty in 1910. He was 66.
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Catalogue(s) raisonné(s)
Catalogue(s) raisonné(s)
* Paintings/Peintures, Jean Bouret, Ed. Oldbourne Press, Londres, et Ides et Calendes, Neuchâtel, 1961. * Le Douanier Rousseau en son temps, Henry Certigny, Ed. Maeght, 1970, rééd. Bunkazai Kenkyujo Co., Ltd.. Tokyo, 1984. All the "catalogues raisonnés"Bibliographic track & more
To read from or about the artist :
* Le Douanier Rousseau, Pierre Descargues, Ed. Albert Skira, Genève, 1972* Catalogue de l'exposition Douanier Rousseau au Grand Palais, Paris, 1984.
* Le Douanier Rousseau, Gérard-Georges Lemaire, Ed. Cercle d'Art, 1998.
* Le Douanier Rousseau, naïf ou moderne ?, Isabelle Cahn, Ed. A propos, 2006.
* Le Douanier Rousseau : Jungles à Paris, collectif, cat. d’exposition, Ed. R.M.N., Paris, 2006
* Les écrits du Douanier Rousseau, Yann Le Pichon, CNRS Ed., Paris, 2010.
* Le monde du Douanier Rousseau, Yann Le Pichon, CNRS Ed., Paris, 2010.
* Le Douanier Rousseau - L'innocence archaïque, Guy Cogeval, cat. d'exposition, Musée d’Orsay, Ed. Hazan, 2016.
* Le Douanier Rousseau - Un naïf dans la jungle, Gilles Plazy, coll. Découvertes Gallimard , Ed. Gallimard, 2016.
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A tribute to Henri Rousseau
Considéré comme un représentant majeur de l'art naïf, le Douanier Rousseau est mort le 2 septembre 1910, il avait 66 ans ; atteint de gangrène à la jambe, il meurt à Paris, à l'hôpital Necker. Ses amis étant absents, sept personnes suivent son cercueil jusqu'au cimetière de Bagneux où - sans le sou - il est inhumé dans une fosse commune. L'année suivante, quelques intimes se cotisent pour faire déposer sa dépouille dans une concession trentenaire. Ses restes furent remis à la ville de Laval par le comité des amis d'Henri Rousseau le 12 octobre 1947. Il repose aujourd'hui dans sa ville natale, en Mayenne, où sa tombe est située au sein même du Jardin public de la Perrine. Le peintre est figuré de profil dans un médaillon en bronze, œuvre du sculpteur Constantin Brancusi et une longue épitaphe inscrite à la craie par Apollinaire est gravée sur sa pierre tombale : « Nous te saluons Gentil Rousseau / tu nous entends Delaunay sa femme Monsieur Queval et moi / Laisse passer nos bagages en franchise à la porte du ciel / Nous t’apporterons des pinceaux des couleurs et des toiles / Afin que tes loisirs sacrés dans la lumière réelle / Tu les consacres à peindre comme tu tiras mon portrait / La face des étoiles. ». En son hommage, cet hibiscus.
"Cette année, personne ne rit, tous sont unanimes : ils admirent. Peu d'artistes ont été plus moqués durant leur vie que le Douanier, et peu d'hommes opposèrent un front plus calme aux railleries, aux grossièretés dont on l'abreuvait. Ce vieillard courtois conservera toujours la même tranquillité d'humeur et, par un tour heureux de son caractère, il voulait voir dans les moqueries mêmes l'intérêt que les plus malveillants à son égard étaient en quelque sorte obligés de témoigner à son œuvre. Cette sérénité n'était que de l'orgueil bien entendu. Le Douanier avait conscience de sa force. " - Guillaume Apollinaire
"Je ne peux aujourd'hui changer mon style, que j'ai acquis à force de travail." - Douanier Rousseau
". . . les nostalgiques de l'enfance, les traqueurs de merveilleux et tous ceux qui entendaient naviguer loin des normes s'emballèrent. Ils virent en ce douanier un passeur, un homme à la lisière entre raison et fantasme, entre civilisation et sauvagerie." - Eric Biétry-Rivierre
"L'alpha et l'oméga de la peinture." - Félix Vallotton
"Lorsque j'entre dans les serres du Jardin des Plantes et que je vois les étranges plantes des pays exotiques, il me semble que je pénètre dans un rêve." - Douanier Rousseau
"Ce qu’il voyait n’était qu’amour et nous fera toujours des yeux émerveillés." - Paul Eluard
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