You wish to be alarmed for any new work by this artist? Please enter your email.
The painter and engraver Jacques Joseph Tissot, called James Tissot, is born in Nantes in 1836. He studies at the School of Fine Arts in Paris; Ingres, Hippolyte Flandrin and Louis Lamothe are among his teachers. He exhibits for the first time at the Salon of 1859. That same year, Tissot chooses to claim his Anglophilia in adopting the first name James. The artist becomes interested in printmaking in 1860. In 1870 and after the disaster of the Franco-German War, the artist moves to London where...
-
read more ARTIST ALARM
Biography of James Tissot
The painter and engraver Jacques Joseph Tissot, called James Tissot, is born in Nantes in 1836. He studies at the School of Fine Arts in Paris; Ingres, Hippolyte Flandrin and Louis Lamothe are among his teachers. He exhibits for the first time at the Salon of 1859. That same year, Tissot chooses to claim his Anglophilia in adopting the first name James. The artist becomes interested in printmaking in 1860. In 1870 and after the disaster of the Franco-German War, the artist moves to London where his geenre scenes are set at the Royal Academy. There, he hangs out with Dante Gabriel Rossetti and John Everett Millais; he realizes caricatures for the magazine "Vanity Fair" (under the pseudonym of Coïdé). In 1882, Tissot returns to Paris and finds refuge in religion. Tissot elegantly dominates the mundane rules of portraiture. After a visit to Jerusalem and Palestine, he mainly realizes compositions depicting scenes from the New Testament ("Life of Christ", published in 1896; "Holy Bible", posthumous edition in 1904). The importance of his work lies in his choice of topics and the ease with which the artist has adapted to the ways of his time (including the Victorian style and Orientalism). Artist particularly refractory to established categories, James Tissot dies at Chenecey-Buillon (Doubs) in 1902.
Voir & découvrir
The work presented on this page is not available anymore.
Catalogue(s) raisonné(s)
Catalogue(s) raisonné(s)
* « James Tissot - Catalogue raisonne of his prints », Michael J. Wentworth, Ed. Minneapolis Inst of Arts, 1978 All the "catalogues raisonnés"Bibliographic track & more
To read from or about the artist :
* « James Tissot », Krystyna Matyjaskiewicz, Phaidon Press Ltd, Londres, 1984* « James Tissot », Gabriel P. Weisberg, in revue Print Quarterly, vol. 2 n°3, Londres, 1985
* « Tissot », Christopher Wood, Ed. Weidenfeld & Nicolson, Londres, 1988
* « Les années impressionnistes, 1870-1889 », Jean-Jacques Lévêque, ACR Ed., Courbevoie, 1990
* « James Tissot », Russell Ash, Harry N Abrams, New York, 1992
* « James Tissot », Russell Ash, Ed. Herscher, Paris, 1993
* « James Tissot: Victorian Life / Modern Love », Nancy Rose Marshall, Malcolm Warner, Yale University Press Ed., New Haven, 1999
* « Seductive Surfaces: The Art of Tissot », Katharine A. Lochnan, Yale University Press Ed., New Haven, 1999
* « James Tissot et ses Maîtres », C. Sciama et autres, Ed. Somogy, Paris, 2005
Website :
http://www.jamestissot.org/More :
A tribute to James Tissot
Il avait de fervents admirateurs, mais aussi des détracteurs virulents ! Atteint d’une très soudaine maladie, le peintre et graveur français James Tissot est emporté le 8 août 1902 dans le Château familial de Buillon dans le Doubs ; il avait 65 ans. Il repose dans la chapelle privée du château, situé à l'emplacement de l'ancienne abbaye cistercienne de Buillon (détruite à la Révolution) en amont du village de Chenecey-Buillon. L'artiste venait d’y passer les dix-sept dernières années de sa vie, vivant en reclus, peignant des tableaux à thème religieux. A sa mort, Tissot était internationalement connu, mais sa notoriété était encore plus grande en Angleterre ou en Amérique qu'en France. En son hommage, avec respect, cette rose trémière.
"M. Tissot aurait dû naître au temps où l’on enluminait les missels." - Paul Mantz
"James Tissot est l’un de ces professionnels de l’image qui, dans le dernier tiers du XIXe siècle, ont compris qu’ils devaient passer de l’artisanat à l’industrie, de l’exemplaire unique à la diffusion de pro-duits accessibles au plus grand nombre : l’œuvre d’art à l’ère de sa reproductibilité technique. " - Philippe Dagen
"Son talent polymorphe lui permet de séduire l’œil et de peindre avec élégance et raffinement une socié-té anglaise alors au sommet de sa puissance. " - Christian Monjou
"James Tissot est un artiste intelligent et doué fausser son talent dans ces contrefaçons pédantesques. " - Paul de Saint-Victor
"James Tissot est un être complexe. " - Edmond de Goncourt
"Les œuvres de Tissot sont remplies de singularités bizarres, de choses étranges et curieuses comme des joujoux de Nuremberg." - Luc-Olivier Merson
Stamp :
Art movements
- + IMPRESSIONNISM / 1855-1890 / Claude Monet, Frédéric Bazille, Berthe Morisot, Gustave Caillebotte, etc.
Valuation - Brokerage
If you wish to offer an artwork by this artist or get an appraisal, please feel free to contact us.
Artists on display
The art and the artists display: proclamations, galleries, museums, personal or collective exhibitions. On walls or in shop windows, wise or rebels, posters warn, argue, show. Some were specially conceived by an artist for such or such event, other, colder, have only the letter.
Some were created in lithographic technic, most are simple offset reproductions. They are many those who like collecting these rectangles of paper, monochrome or in games of colours, in matt paper or brilliant, with many words or almost dumb.
We are happy also to be able to greet, by this pages, mythical galleries as those of Denise René, Louis Carré, Claude Bernard, Berheim Jeune, Maeght, Pierre Loeb and others.