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Natalia Gontcharova
The theatrical costume is the detail that speaks to understand, explains the character before speaking, singing or moving.
The daughter of an architect, Sergueïvna Natalia Gontcharova is born in Nagaïevo in Russia in 1881. She grows up in the countryside with her grandmother. From her childhood, she always remembers the rural life and farm work as well as a great interest in rural customs. Natalia Gontcharova follows art classes at the School of Painting, Sculpture and Architecture in Moscow from 1901 to 1909. . . .
See & discover
Beyond works currently in stock, it seemed to me useful to combine business with pleasure by letting you discover others works by artists in my gallery. These artworks, now sold or removed from our website, have been in our stock in the past. These pages will undoubtedly make it possible for some of you to associate an image with its title or the other way round, for others it will be a good time to discover more on such and such artist. For the sake of confidentiality – the pieces being no longer available – we won't display neither their numbering or their price. For whatever reason, make sure to visit this amazing art database with to date 6441 online works just for your pleasure! Michelle Champetier
The works presented on this page are not available anymore.
Study for the opera...
1914 Stencil in colors, monogrammed in the pencil by the artist in the composition, then dedicated and signed in the lower margin. Without
The town
1920 Illustrated book, poems of Alexandre Roubakine illustrated with 9 lithographs and 44 ornaments of Natalia Gontcharova. Cover and typography conceived... Monod, Vol. II n° 9975Catalogue(s) raisonné(s)
Catalogue(s) raisonné(s)
*« Natalia Gontcharova, son œuvre, entre tradition et modernité », D. Bazetoux, vol. I, Ed. Avril Graphique, 2011 All the "catalogues raisonnés"Bibliographic track & more
To read about the artist :
- « Les Ballets russes de S. Diaghilev » Ed. Pierre Vorms, G. Billiert, Paris 1930
- « G.-L. : 50 ans à St Germain-des-Prés », T. Loguine, Ed. Klincksieck, 1971
- N. Gontcharova, sa vie, son œuvre », Tsvétaeva Marina, Ed. Clémence Hiver, 1990
- « N. Gontcharova et Larionov », J. Boissel et autres, M.N.A.M. Pompidou, 1995
- « N. Gontcharova, M. Larionov », I. Zdanevitch (E. Eganebry), Ed. Clémence Hiver, 1995
- « Gontcharova », Mary Chamot, Ed. La Bibliothèque des Arts, 1996
- « N. Gontcharova », collectif, Ed. Hatje Cantz, 2010
- « N. G.- M. L. : Oeuvres rayonnistes », cat., Ed. Galerie Lucie Weil C. Zalber, 2011
- « Expressionismus & ...- Der blaue Reiter », coll., cat., Pinacothèque de Paris, 2011
- « Revolution in Russian Painting 1895-1917 », coll., cat., Musée de Maastricht, 2013
To read from the artist :
- « Journal secret de N. Gontcharova » Récit-Fiction, C. Barreau Ed. L Teper, 2006
- « The art and design of N. Gontcharova », A. Parton, ACC Art Books, 2010
Website :
www.artcyclopedia.com/artists/goncharovaMore :
+ Stamp
Stamp by Natalia Gontcharova
fictionnal stamp
The publication of a postal stamp is often a homage paid by a nation to a place, an event, a remarkable cause or a character which count. The painters and other artists do not escape from this rule. Some are however "forgotten" of postal art. Here, gathered below (French or foreign), emitted stamps (206) or simple studies of stamp (224) in homage to the artists represented on our website. The first French stamp was emitted in 1849, England preceded us by ten years. There is often a share of voyage in this small form of shape paper. The stamp circulates, sails, flies away, it makes dream, then dream a little. M.C.
When the stamp is really emitted, the artist name is preceded of an asterisk (*). It is certain that we do not know each stamp emitted for such or such artist; do not hesitate with us to make known them!
Discover all stamps
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+ A tribute to...
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A tribute to Natalia Gontcharova
Sorry this section is only available in french for now.
Natalia Gontcharova meurt à Paris d’un cancer le 17 Octobre 1962. Cinq jours plus tard, elle sera inhumée dans la section russe du cimetière d’Ivry-sur-Seine (Division 7, rangée 1, tombe 14). Mikhail Larinov, qui fut son mari, la rejoignit deux ans plus tard. Une même épitaphe est inscrite sous leur deux noms : “Artiste, Peintre”. Sur leur tombe, une fleur blanche.
"En Italie, où tout art moderne est absent, est né le futurisme, c’est-à-dire l’art de l’avenir : mélange de l’impressionnisme et du nationalisme." - Natalia Gontcharova
"Nous sommes le visage de notre temps. Le passé est étroit. L’Académie et Pouchkine sont plus incompréhensibles que les hiéroglyphes…" - Bourliouk, Kroutchenykh, Maïakovski (ici représenté) et Khlebnikov (1913)
"Il est question de découvrir la peinture comme but en soi et non comme moyen d'expression" - Mikhail Larionov
"…rien d'utopique dans cet " art de gauche " russe et soviétique : tout simplement un sommet de la création humaine, un moment privilégié, miraculeux, l'alliance d'un primitivisme vigoureux, d'une abstraction fondée sur l'énergie colorée et la solidité de la composition et d'une subtilité conceptuelle sans égale. " - J.-C. Marcadé
"Inspirées par la vie paysanne, les oeuvres de Gontcharova et de Malévitch marquent une recherche de style vigoureux, sans aucune naïveté." - Eugénie De Keyser
"Parmi l’avant-garde russe, le néo-primitivisme se veut l’illustration nationale de l’expressionnisme de l’époque : les artistes, parmi lesquels Natalia Gontcharova, mêlent les syntaxes européennes à des thématiques populaires." - Adrien Grimmeau
Mouvements de l'art
- + NEW-PRIMITIVISM / 1907-1912 / David Bourliouk, Martiros Sarian, Vladimir Tatline, etc.
- + RAYONNISM / 1909 / Wladimir Burliuk, Mikhaïl Ledentu, etc.
Valuation - Brokerage
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